![]() Fly Paper’s dynamic yet contemplative mood also builds on Joseph’s sense that layers of lived experience-and stories-are sedimented in the places that have played host to the aspirations and daily lives of countless individuals. Joseph’s new film also touches on themes of filiation, influence, and legacy, marking a personal reckoning that intuitively calls upon his connections to the city through his family-and in particular, his late father, whom he cared for in Harlem at the end of his life. With Fly Paper, Joseph extends DeCarava’s virtuosity with chiaroscuro effects to the moving image and brings together a range of film and digital footage to contemplate the dimensions of past, present, and future in Harlem and New York City. In “Kahlil Joseph: Shadow Play,” his first solo presentation in New York, Joseph debuts Fly Paper (2017), a new film installation that departs from his admiration of the work of Roy DeCarava (1919–2009), a photographer and artist known for his images of celebrated jazz musicians and everyday life in Harlem. ![]() As much as they plumb the history of cinema and moving images, Joseph’s films also find a parallel in the lyricism, complexity, and affective power of black musical traditions. Music always figures centrally in Joseph’s works, and sounds reverberate as vital and powerful analogues for the play of images through which he chronicles the stories and rhythms of his subjects. 1981, Seattle, WA) conjures the lush and impressionistic quality of dreams with particular reverence for quotidian moments and intimate scenes. In his absorbing short films, Los Angeles–based artist and filmmaker Kahlil Joseph (b.
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